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Geoffrey removes the heavy lace that lies round her throat, and then leads her up to the hearthrug nearly opposite to his mother's arm-chair. "Come," he said, taking hold of her arm. The duchess gives it up. "Yes, and a far better one, too," she says, amiably, declining to explain. Indeed, she is delighted to meet a young woman who actually regards slang as a foreign and unstudied language, and shrinks from being the first to help her to forget the English tongue. "Is there much beauty in Ireland?" she asks, presently..
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Conrad
There is a pause. In shrinking doubt she awaits the moment that shall make him take advantage of her words. But that moment never comes. In vain she waits. At length she lifts her eyes, and he, flinging the parchment at her feet, cries, roughly,— When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good. Mona, pleasantly, turning away. "There is,—a reason not to be surpassed. And as to the parlor,"—in a melancholy tone,—"I could not be happy there, or anywhere, just at present. Unless, indeed,"—this in a very low but carefully distinct tone,—"it be here!".
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